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Absolutely incredible. Speeds up everything and saves me hours on editing.
Every command I need is now at my fingertips. Brilliantly organized shortcuts.
Having these shortcuts feels like a pro secret editing is smoother than ever.
These shortcuts transformed my Resolve workflow cuts and edits are now effortless.
This set of shortcuts feels like it was built exactly for how I edit.
Having these feels like a pro secret, editing is smoother than ever.
You need these shortcuts no question about it.
I shaved hours off my projects thanks to these smartly designed shortcuts.
Navigating through DaVinci Resolve feels natural and intuitive with these shortcuts.
These shortcuts transformed my Resolve workflow cuts and edits are now effortless.
If you use DaVinci Resolve, you need these shortcuts no question about it.
These have become part of my daily workflow. Can 't work without them.
This set of shortcuts feels like it was built exactly for how I edit.
Each preset feels handcrafted to bring out the best seasonal tones.
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Description
Kodak 2383–inspired cinematic LUTs are used to achieve rich skin tones, smooth highlight roll-off, and a film-print look across modern digital footage.
While created in DaVinci Resolve, these LUTs are fully compatible with all major NLEs (Premiere Pro, Final Cut) and apps, working reliably across different cameras, lighting conditions, and color pipelines.
Protecting Skin Tones While Going Cinematic
A lot of cinematic LUTs look great in one app—and fall apart everywhere else.
These Kodak 2383–inspired LUTs were designed and tested in DaVinci Resolve, but built to work reliably across all major NLEs, apps, and camera brands. Instead of pushing colors too hard, they focus on consistent skin tones, controlled highlights, and smooth roll-off—so your footage holds up regardless of where it was shot or edited.
Whether you are working with DWG or Rec.709, both options are available and are optimized to avoid any unwanted color artifacts.
Formats
- Davinci Wide Gamut/Intermediate
- Rec.709
What's included: 8 Cinematic LUTs
- 01 DrRave2383 Warm
- 02 DrRave2383 Neutral
- 03 DrRave2383 Cool
- 04 DrRave2383 Teal & Orange
- 05 DrRave2383 Yellow & Blue
- 06 DrRave2383 Orange & Green
- 07 DrRave2383 Red & Cyan
- 08 DrRave2383 Gold
Whether you’re grading in DaVinci Resolve or finishing in another editor, these LUTs give you a dependable film-print inspired look without forcing you into a specific workflow. Apply them confidently across projects, platforms, and cameras—and spend less time fixing color inconsistencies later.
👉 Choose cinematic LUTs that work everywhere, not just in demos.
About KODAK 2383 film print stock
Introduced in the late 1980s, Kodak 2383 film print stock revolutionized the cinematic world. Cinematographers were drawn to its warm, rich tones and ability to authentically capture the mood of each scene. With exceptional color rendition and balanced handling of light and shadow, Kodak 2383 became the hallmark of a distinct visual style that defined the era.
Film-Print Inspired Look, Tuned for Digital Workflows
Used in movies such as Joker, Dunkirk, Star Wars: Episode VII, The Dark Knight Rises, Mad Max and many many more.
Kodak 2383 has a magical ability to evoke emotions and nostalgia, breathing life into every scene. Its warm, inviting colors created a timeless, cinematic feel that captivated audiences. Whether it was a feature film, a television drama, a music video, or even a simple advertisement, this film stock elevated the storytelling, making it unforgettable.
Even as digital cinema took over in the 2000s, the allure of Kodak 2383 never truly faded. Filmmakers and enthusiasts alike still yearn for its nostalgic charm, its ability to transport viewers to a bygone era. Today, they lovingly recreate its captivating look using LUT packs and film emulations, a heartfelt tribute to the film stock that once reigned supreme, forever etching its mark on the world of cinematography.
FAQs
Q: Are these LUTs only for DaVinci Resolve?
No. While they were designed and tested in DaVinci Resolve, these LUTs work in all major NLEs and editing apps, including other desktop editors and mobile workflows.
Q: Do these LUTs work with different camera brands?
Yes. They’ve been tested with footage from a wide range of camera brands and sensors, ensuring stable color behavior without breaking skin tones or highlights.
Q: Can I use these LUTs in Rec.709 projects outside Resolve?
Yes. The Rec.709 versions are compatible with any software or platform that supports standard .cube LUTs.
Q: Do I need a specific color-managed workflow to use them?
No. While they integrate perfectly into color-managed workflows, they can also be applied manually as a creative or finishing LUT in any NLE.